Roy Kane TV Detective Steve Bowkett London, A&C Black, 2008, 80p
The Colour Graphix series has had a recent reprint and now they look great! Originally published in 1998, the books in this collection are brightly illustrated, full of drama, and ideal for reluctant readers. When a diamond is stolen from the city museum, Roy Kane TV Detective is on the case. The diamond belongs to Magnus Carmody, a billionaire. CCTV footage shows a mysterious dark shape entering and leaving the room, so Kane and his partner, Vicki Stand, turn to local celebrity magician for ideas. But Doctor Praetorius is unable (or unwilling) to help. He seems like the obvious suspect, but nothing is ever what it seems. The story is accessible and not overly complicated, but engaging enough for younger readers to want to keep reading.
Assassin City / Switch Face Jonny Zucker & Pedro J Colombo / Jonny Zucker & Kev Hopgood London, Franklin Watts, 2013 There is nothing like a good short read to get me back into younger fiction, albeit slowly. Luckily, I read two! In Assassin City, Milo is given a task and he has no choice but to follow through. He does not want to be an assassin, so plots with Kira to try and find a way out. Switch Face is the story of a boy who can change his face to look like another person, providing he has an image from which to take inspiration. At school, he borrows a mate's passport to get him into trouble, and adopts the Headmaster's face to boss people around. But his antics place him in danger when he finds himself on the wrong side of the law. Best of all, Switch Face is a cliffhanger - it is so short, with so much packed in, that it leaves you begging for more. Franklin Watts are legendary for their short read fiction and non-fiction, and with these new graphics, they have really hit the mark. They are brightly illustrated, action-packed and ideally low on the Accelerated Reader scale at just 1.7 / 1.8. It is really hard to find books at the lower scale of the Accelerated Reader program - my stock in that area is pretty thin, though most of the books in that section are exceptional. But I am so glad I have this new (at least, new for my library) selection of Franklin Watts to entertain those reluctant boys who are so easily distracted in lesson.
Oh Dear Silvia Dawn French London, Penguin, 2013, 432p Whilst on holiday for half term, having finished Gone Girl far more quickly than I had anticipated, panic began to set in that I would not have enough books to last me the week. Luckily, the wonderful hostel I was in - Ani & Haakien in Rotterdam - had a book swap, so after skimming through a few, I swapped Gillian Flynn for Dawn French, and found a story that had an uncanny number of similarities to it's predecessor. Silvia is in a coma. It appears she fell from her balcony, and she is visited regularly by her friend, sister, ex-husband and nurse. Each visit brings with it a one sided conversation - Ed talks about their separation, his resulting depression, and his eventual recovery through his love of nature. Jo, the eccentric older sister, causes mayhem through the ward with her non-traditional methods to try and bring Silvia back to consciousness. And Winnie watches over Silvia every day, trying to offer comfort and nurse her back to health. It would appear that Silvia has changed greatly in recent years, and there is some resentment held by her family towards her new friend, Cat. Silvia has aggressively distanced herself from her family, leaving her son, daughter and granddaughter feeling angry and confused. Cassie struggles to find the confidence to visit her mother, whilst Jamie remains in Afghanistan, refusing to come home. But as the story unfolds, it becomes clear that this change was the result of a minor, regrettable incident, in which Silvia irreparably ruined her chances of a normal family life. This makes the novel sound far darker than it actually is. Oh Dear Silvia is an easy read, and has an optimistic tone. And yet it explores some complex ideas about family and relationships, especially around forgiveness. I was impressed by Dawn French's accessibility and the fullness of her story - what a great transformation from comedian to novelist.
Gone Girl Gillian Flynn London, Phoenix, 2013, 496p Another one of those contemporary novels I have been meaning to read for a while, I finally found a few days on my half term holiday to be drawn into the dark, haunting world of Nick and Amy Dunne. And all I needed was a few days (my flight was delayed, I was stuck in an airport for three hours longer than expected), despite this being a 500 page novel. Gone Girl is the story of a missing woman and her husband, who suddenly finds himself accused of her abduction and possible murder. Their relationship was on the rocks, and the police find significant evidence that places Nick at the scene of various unsavoury disturbances. And despite having the support of his sister and Amy's parents, Nick finds himself hurled into a media storm determined to drag his name through the mud. The novel is narrated through both Nick and Amy - Nick's narrative explains what happens following the disappearance, whilst Amy's diary recounts their past: how they met, their marriage, their move to the suburbs, and their slow deterioration. Nick is clearly not the perfect husband, and Amy's diaries increasingly cast light on a growing fear she felt around him. But the narrative is not as honest as it may seem, and in the second half of the novel, a whole new level of psychotic drama unfolds. It is so difficult to write about this novel without ruining the plot, though I am sure most people have a vague idea of what happens (especially since the movie adaptation was recently released). But I will say that it is a haunting novel about the darker side of relationships. As the story unfolds, it is not just Nick who is revealed to be a dishonest character, but Amy's true colours begin to show. These are not individuals that you root for or support - neither are 'in the right' - but you are gripped as you watch them destroy themselves and the world they have built together.
Ours Are the Streets Sunjeev Sahota London, Macmillan, 2011, 313p Ours Are the Streets is the story of a young man's journey to extremism. Imtiaz begins writing his story so that his daughter and wife will remember him, and tells the reader about how he met his wife, Bekah. At university in Sheffield, they become lovers, and an unexpected pregnancy results in marriage. Bekah agrees to convert to Islam for Imtiaz, and despite the challenges of their youth, they are happy. When Imtiaz' father passes away, he travels to Lahore with his mother to bury him. At first, it feels odd to adjust to this place where everyone seems to know him, even though he has never given them a moments thought. But he remains an outsider, a foreigner, his light skin and accent giving away his British-ness. As he starts to make friends, he settles into this place as 'home', but their travels deep into Afghanistan change the man who left England not so long ago. Ours Are the Streets is a dark, tragic novel. From the earliest pages, you are aware something has gone wrong - Imtiaz shouldn't be writing letters for his daughter to remember him, and it soon becomes clear where he is going. I found Imtiaz' transformation to be somewhat oversimplified. He doesn't seems dissatisfied with England; not even when he finds himself having to justify the West to his new friends in Pakistan. He comes to enjoy the feeling of being part of something in Afghanistan, though it was unclear that he felt disengaged when he was in Sheffield. And his 'decline' into extremism is articulated through paranoid rantings, which I felt belittled his decision to become a fighter. I am not convinced that this novel is the most reliable and straightforward exploration of a young man's transition into a potential terrorist, but Sahota's novel is a bold, gripping story that I would definitely recommend.
Eleanor & Park Rainbow Rowell London, Orion, 2012, 325p
Eleanor & Park has been in high demand amongst many of my students - of a similar vein as John Green's novels, it tells the tale of two misfits trying to go unnoticed, who can't help but notice each other. Park is a quiet, comic-book reading boy. He isn't bullied, but you couldn't say he is particularly popular. Eleanor is new, and on her first day, finds herself sat next to Park on the bus. They travel to and from school together every day in silence, until Park notices that Eleanor is reading his comics over his shoulder. They start to share some of the loves and hates, until they realise they love each other. It is clear why Rainbow Rowell has become incredibly popular - she appeals to that part of every one of us that feels uncomfortable in social situations. I would have loved this as a teenager, but experience has made me a cynic. Romeo and Juliet is referenced as the kids' English books, and the themes of that classic are reflected in Eleanor & Park. They quickly fall deeply for each other, and like first love, cannot imagine life without each other. Park's parents are mostly supportive, but Eleanor has a difficult home situation, with an aggressive and drunk stepfather. Unfortunately, just like I couldn't get around Romeo and Juliet killing themselves, I struggled to engage with the idea that Eleanor and Park's first loves would possibly be their last and only. Nevertheless, Eleanor & Park is an easy and engaging read, and it feels very contemporary, reflecting the current trend towards a reminiscent adoration of past popular culture (the story is set in 1986 so bands like The Smiths are prominent!).
After the First Death Robert Cormier London, Puffin, 2006, 275p
After the First Death begins with a narration from Ben, a young boy haunted by an incident we do not yet know much about, except that it has left him with a scar from a bullet wound and it has shattered the already fragile relationship he has with his father. With time, his monologue is augmented with the voices of two others involved in this fateful day - Kate, a girl held hostage on a bus full of children, willing herself to be brave enough to act; and Miro, following the commands of a man he reveres, recounting how it came to be that he The novel is emotive and tense - all of the action unfolds over a relatively short space of time, as we are drip fed details, unraveling the truth. The story focuses upon the thoughts and feelings of these three characters. Kate and Miro are battling to stay alive in the moment of the action, and Ben, place between the military and the terrorists, tells of the aftermath of the kidnapping. Particularly interesting is Miro's story. He seems strangely innocent, even though he is involved with the 'terrorist' group of the story. Even Kate feels pity for him, as he tells his story, though her feelings are conflicted with the anger she feels towards her captor. It wasn't until I was halfway through the book that I realised this novel had been first published in 1979. This new knowledge added an incredibly dark slant to my reading of it - the realisation that a book written twenty five years ago could still feel so timely and current. Although the development of the character's internal identities are detailed and vivid, their physical appearances are left unspecified. As such, Miro and Artkin, with their made up names, are not linked to a specific race or nation or conflict. The fictional events of this story could be seen as a telling of many real situations, and a reader today, in the context of the current political climate, can relate as easily as a reader from twenty five years ago. It is terrifying that this book felt so plausible, and has felt this real for so long. But Cormier's exploration of the three sides to this story packs a powerful punch, illustrating how victimization and innocence subjective.
Ruby Redfort: Take Your Last Breathe Lauren Child London, HarperCollins, 2012, 415p
My love for Ruby Redfort has already been loudly declared. I moved quickly from the first book in the series to the second, just as Ruby moved from her first adventure to the next. The danger is established early in the novel, as Ruby is subject to diving training and educated extensively about all the risks of being at sea. But Ruby doesn't see much to be afraid of, until strange things start happening - people disappearing, claims of noises luring people into the deep. And when a Spectrum agent succumbs to the deep, it quickly becomes a priority for all recruits. In Take Your Last Breath, the danger is once again very close to home, as Ruby's parents are caught up in drama at sea. As a meteor passes by the earth, tides start to settle, and things that have been left in the deep suddenly rise to the surface. An ancient family heirloom, surrounded in There is layer upon layer of mystery in this novel, as Ruby uncovers increasingly more powerful sources of evil. But she is not alone - Hitch, her butler / secret agent, is always watching her back, and her best friend, Clancy, is as smart and quick as she is. (Talking of which, I am a little disappointed that Clancy's talent has not yet been recognised by Spectrum. They should recruit him, too.)
It's been a mad week, but I have been glad to have had Twinford to escape to, and the next book is already sat on my shelf awaiting my attention.
Siege Sarah Mussi London, Hachette, 2013, 307p I encountered Sarah Mussi last week at the SLA Conference in Manchester, where she discussed with a panel of writers the concept of the dystopian novel. It was an enlightening 'author meet' for two reasons: partly because it introduced me to some new YA novels; but mainly due to the exploration of the definition of dystopian fiction - how does it differ from science fiction?; does the ending need to leave the reader with hope?; how close to our contemporary reality are some of these dystopian worlds?
Siege has been sat on my To Read shelf at work for months - it is a big shelf, and I with brilliant new novels arriving every day, sometimes books sit there for rather too long. Finally, meeting Mussi prompted me to pick up this novel and explore what had intrigued me in the first place.
A group of teenagers, calling themselves the Eternal Knights, have taken the YOU OP 78 Academy hostage. Fighting for her life, Leah has taken refuge in the ceilings, but she knows she cannot survive up there for long. The school is on Lock Down - no one can get in or out - and the battery of her comm (phone) is running low, leaving any attempts to make contact with the world outside futile.
Siege is a gripping, dangerous novel, and Leah is a strong, independent protagonist. Even though a male counterpart is introduced, leaving potential for a romance, most of the novel consists of Leah alone, trying to survive and striving to save her peers.
Much of her battle comes from her guilt - she is scared her brother, Connor, might be involved, and wonders if she could have done more to prevent this. But as time goes on, Leah realises that there is more to this siege than the failed relationship between herself and her brother - there are bigger factors at play.
Sarah Mussi's dystopian world (if I can call it that) is not far from the world in which we live. Leah and the students at her school are considered to be a drain on society - they are rushed through their education and forced into Volunteer Programs, in the hope that they can give something back and reduce their detrimental impact upon the country's resources. There is no social mobility - the lives of the students at these academies are set in stone.
No wonder this siege has come about, Leah thinks. The youth are disillusioned and angry, so they take up weapons to fight for their rights. But it seems weird to Leah that these Eternal Knights are made up of some of the most stupid kids in school - kids who couldn't track down weapons or organise themselves this efficiently. So there must be some bigger power involved...
Blood Family Anne Fine London, Doubleday, 2013, 291p
I haven't read Anne Fine for about ten years, and I am incredibly impressed she is still writing with strength and passion. Eddie is found as a young boy in his dilapidated council flat where he is beaten by his mother's partner. Social services pick him up, and he is taken into care with Linda and Alan, an elderly couple who are great with emergency care. Over time, Eddie becomes increasingly confident and reveals himself to be a studious and caring young man. When he is finally adopted, everything seems to be okay, until his teen years bring about the realisation that the past can never be truly buried. Blood Family is a dark and tragic novel, but I felt it dragged on a bit too much. The story was told from multiple perspectives - by Eddie, by his social worker, by his foster parents and his adoptive parents, and by his teachers. But the whole thing felt like it took rather a long time to reveal the full extent of the drama. Eddie is a sweet and kind boy, but he was a little one dimensional, conforming to certain stereotypes that we know about children in care - he is isolated and struggles to socialise; he is eager to work hard and desires love; he goes off the rails in his teens. When the novel starts, he is very young, so although I think the subject is targeted at mature teen readers, I imagine some may be put off by Eddie's youth. And, as with most novels about social issues, everyone comes up smelling of roses in the end. Perhaps if this novel had been a little shorter, or if Eddie's character felt more realistic, I might have enjoyed it more, as the concept as a whole was very intriguing.
To see the rest of my Carnegie reviews, click here.
All the Truth That's In Me Julie Berry Dorking, Templar, 2013, 266p
When Judith returns home, her tongue cut out and the last two years a mystery to all around her, she is outcast by her society and her family, subject to looks of horror and pity. As the town talks, there is only one person she wishes to listen to her - Lucas, the boy she has always loved.
Set in the early American settlements, All the Truth That's In Me is a haunting, dark novel about abduction and young sexuality. Judith is victimised by those in her town, who assume her kidnapping was of a sexual nature; and she is continuously haunted by the feeling that men only want her as a silent object. As the story unfolds, it becomes apparent that there is more mystery to Judith's story than the townsfolk have presumed.
The novel is told in first person by Judith, who often narrates as if she is speaking directly to Lucas, pleading for his sympathy and understanding. The chapters are very short - some only a sentence long - meaning reading is easy and swift.
I found myself quite caught up in the romance - Judith's longing is heartbreakingly beautiful, as she sits on the sidelines of Lucas' life. And she is a surprisingly strong protagonist, despite her many obstacles. She is brave and strong, fighting for justice and protecting the man she loves. If anything, Lucas seems weak in comparison.
I am finding this year's Carnegie list to be surprisingly dark, especially compared to the variety of the 2013 list - many of the books would not be typically suitable for teenage readers - yet I am enjoying the journey of shadowing.
To read more of my reviews of the 2014 Carnegie shortlist, click here.
Tiger Wars (The Falcon Chronicles) Steve Backshall London, Orion, 2012, 243p
Saker cannot remember who he is or where he has come from, but he knows he is on the run. In the forests of northern India, he is being tracked by dogs and a dangerous clan of boys, trained to hunt and kill.
Sinter is angry with her father - he is trying to marry her off to a rich doctor with no concern of what Sinter might want for herself. She runs into the forest to get some space, but accidentally finds herself caught up with Saker, on the run from a deadly enemy. Together, travel the length of India into China, slowly uncovering the reason why the clan are on the hunt - the most powerful and valuable predator of all, the tiger.
Tiger Wars is an action-packed adventure that never lets up. Saker is a highly skilled jungle expert, and his survival skills comes in handy at every turn. But Sinter is also a force to be reckoned with, fiery and practical, with a great knowledge of medicine to help them along.
I found this novel a little difficult to get into at the start - the sentences and paragraphs are incredibly long and quite poorly structured, which I think might put off a reluctant reader, even though they are the ideal audience for this story. It was dense to trawl through in places, even when the action was at it's peak, but I did enjoy the journey and characterisation.
Steve Backshall has a unique and fascinating knowledge base (survival, wildlife, georgraphy, medicine, science) that shines through in Tiger Wars. The novel is packed with factual information, but it is presented as part of the story so feels like a natural and beneficial addition to the text. The story is full of exotic locations and strange wildlife, with a strong environmental message in support of endangered species, leaving the reader with a love and respect for the magnificent tiger.
To Kill a Mockingbird Harper Lee London, Arrow, 1997, 309p I first read To Kill a Mockingbird in my teens, but a few weeks ago, when I saw the 1962 movie, I realised I couldn't remember anything about the book. So, whilst I holidayed in Hamburg this week, I picked up the classic and once again sank deep into the world of Scout and Jem. Scout and Jem are adventurous and curious children, but always stay within the limitations set by their househelp, Calpurnia, and their father, Atticus Finch. When they start hanging out with a boy called Dill, the children start pushing the boundaries of the rules, and seek out to lure their reclusive and potentially dangerous neighbour, Boo Radley, from his house. Meanwhile, Atticus is involved in a controversial case in court, defending a black man against the charge of the rape of a white girl from a poor family. All through town, Jem and Scout are subject to comments from classmates and neighbours, and Scout has to work hard to control her feisty temper and keep out of trouble. The relationship between Atticus and his children is something to be admired. They adore and respect him, despite some people outside the family thinking he lets them run wild and is bringing Scout up to be less than feminine. But Atticus feels safe and comforting; he is a brilliant role model, combining the right amount of intelligence, comedy and love.
There is so much going on in To Kill a Mockingbird that I feel this blog does not give me the space to explore all the themes and storylines. I think my favourite element is Scout's narrative - young and sometimes naive, but always ready to learn and to try. She is inquisitive, always asking questions of her father that even he sometimes struggles to answer, and she loves her older brother even when he is growing into a young man and his hormones start to take over. Her world view is optimistic and vulnerable in equal measure, but through Scout, we see the evil in poverty, racism and domestic abuse, and understand how a little love can go a long way.
The London Murder Mysteries: The Montgomery Murder Cora Harrison London, Picadilly, 2010, 246p
Years of watching murder mysteries with my mother have led to a love of crime dramas. So when they are successfully created for a teenage audience, and set in Victorian London, we are onto an instant winner.
Alfie lives with his brother Sammy and his cousins in a Covent Garden cellar. They are children of the street, begging and performing tricks with their loyal dog to bring in enough for food and rent, but they are savvy and knowledgable. When a murder happens in a nearby street, Alfie is recruited by Inspector Denham to find out the talk about town and solve the mystery.
Mr Montgomery is recently returned to his wife and son from India, where he owned a tea plantation. It seems the crime was not commited for theft, as the body still has many valuables about it. The initial suspect is an Indian boy whose father was hanged for stealing - is this boy out for revenge? But could it be the wife or son, their peaceful lives disrupted by the return of their breadwinner; or even the suspicious Butler, clearly an angry and dangerous man?
The story is led by the young protagonists, who work almost completely without the support of any adults. They manage to find ways into the Montgomery household through a connection with the scullery maid, and they use their knowledge of the city to find people with the answers they need. But the children increasingly find themselves at risk, drawing attention to themselves as they poke around in other people's business, eager to discover the truth.
Cora Harrison has an easy, smooth writing style on which the reader can float along with the story. It is fast-paced and expertly plotted, leaving no opportunities for the reader to get bored with all the action that takes place. And the characters are succinctly developed, though you can tell there is more to learn about these four boys as the series progresses.
Wild Boy Rob Lloyd Jones London, Walker, 2014, 301p Authors for young people are having to get more and more creative. By now, every story has been told, so writing something original is a challenge. Cross-over fiction is becoming increasingly common, in which authors bring together classic tropes from a variety of genres to create new adventures and characters.
It's London, 1841. A boy, hairy as a monster, is accused of murder. Wild Boy has been travelling with a freak show for years, and becomes embroiled in a dangerous mystery, which forces him to go on the run. This unusual young man is extraordinarily observant, and his detective skills are the only thing that might save him from the hangman's noose.
The whole mystery surrounds a scientific machine that is believed to be able to fundamentally change who you are. Wild Boy knows nothing about how it might work, but this little slither of knowledge is enough to motivate him to find this strange machine that might make him just like a normal child. I adore Wild Boy as a main character - he is an intelligent boy who is easy to sympathise with. He struggles to make friends, simply because he has been hurt so many times before, and the reader shares in his frustration when people are so quick to judge him as a beast. He has built walls all around himself; but when he desperately needs help, fellow traveler Clarissa is there for him, and slowly he learns to trust. Wild Boy is part-adventure, part-mystery, part-science fiction. Even the protagonist is a cross-over character, drawing on the characteristic traits of the geek, the detective genius, and the lone ranger. Few authors could bring so many elements together to create a succinct novel, but Rob Lloyd Jones has brought these things together in an thoroughly-planned and beautifully-executed story. There is truly something for everyone.
Island of Thieves Josh Lacey Andersen, 2011, 237p Never have I read a novel that so quickly leapt into action. Within the first chapter, Josh Lacey sets us up for a thrilling, dangerous adventure that takes our protagonists from New York to Peru. With his parents going on their first holiday without the kids, there is no one to look after Tom (mainly because no one is brave enough to take him on - he has just accidentally set fire to the garden shed). Tom ends up with his Uncle Harvey, a man about whom little is known. But Uncle Harvey is headed to Peru, and Tom talks him into taking his nephew along. Unfortunately, Harvey neglects to tell Tom why they are headed to Lima until it is too late, and they both find themselves under the thumb of one of the most dangerous men in South America. By the end of the adventure, I was convinced that Harvey and Tom are the luckiest men alive. There isn't a moment when their lives aren't in danger, as they follow an ancient trail to uncover buried treasure. You have to suspend your disbelief a little, as they encounter situations that I am convinced no one could survive, but you are in for an gripping ride. The Island of Thieves is a cross-over of many genres, from mystery to thriller to adventure. It lacks female characters a little too much for my taste, but Tom is such a rounded character that I think any young reader would relate to him. He isn't exceptional, he's ordinary, and so we can feel part of his journey.
Ruby Redford: Look Into My Eyes Lauren Child London, HarperCollins, 2011, 390p
I want to be Ruby Redfort. That is all. Okay, that is not all, but I cannot emphasise how much I loved this book. I am ashamed that I haven't read Lauren Child before, because this is exactly the kind of novel I would have devoured as a teenager. She's a spy! Well, she's a code breaker. Shortly after everything in her home is stolen in rather suspicious and unexplained circumstances, Ruby receives a mysterious call, which eventually leads her to a secret agency who want to recruit her. She is a young puzzle champion, and they need her help in finding some answers. A 'butler', Hitch, is assigned to watch over her as she trawls her way through pages of information, trying to decipher the grand plot. Ruby is a highly intelligent, intuitive and observant young lady. She is too smart for school and she knows it - she has already rejected an early submission to Harvard by thirteen. She occupies herself watching detective programs, taking notes on the seemingly mundane, and creating codes with her friend, Clancy. But my description cannot credit how awesome she is. I would love to hang out with her, or to spend a day in her shoes. The book is fast-paced and action-packed, with short, punchy chapters and hugely entertaining characters. In particular, Ruby's parents are brilliant - a strangely dull and unintelligent couple considering what a genius their daughter is. You can't help but read on and on. There are even codes in there for you to break, making you feel like part of Ruby's world. I found myself completely engrossed, almost like I was there living it with Ruby. It is incredibly hard to create a character as exceptional and yet as rounded as this girl - Lauren Child has amazed me. The excitement and drama stayed with me after I had finished reading, and I cannot wait to read more!
Over the years, my knowledge of the period table of elements has deteriorated somewhat due to lack of revision. But in Itch, the elements come to life, being grounded in everyday objects like toothpaste and earings, and demonstrating unimaginably cool uses.
Itchingham Lofte is not an academic genius or hipster-esque geek. He is not popular or the teacher's pet. He is normal. He gets bored at school and gets into trouble at home. But he is an element collector - gathering materials that contain each of the elements in the periodic table. And sometimes, his experimentations end up causing quite a lot of mess, and sometimes minor fires.
Then, his dealer, Cake, has something new for him - a material that doesn't match the atomic make up of anything Itch has seen before. He's curious, and takes the rock into school to show his teacher in the hope they might shed some light on this strange object. But the rock soon makes it's way into the wrong hands and attracts the attention of some shifty businesses, convinced that this rock is a new element - and a highly radioactive one, at that! Along with his cousin Jack and his sister, Itch has to end what he started, and embarks on an adventure to keep this dangerous material away from anyone who might use it for evil.
Simon Mayo (yes, that Simon Mayo) is an incredible writing talent. He has made science accessible and exciting for someone who had no more than a GCSE-level interest in the subject. I really cannot recommend this enough, and will be forcing it upon my science department as soon as possible!
And in addition to the book itself (which, it is worth noting, is part of a new series), Mayo has made great use of social media and has gone online to link Itch up to the modern world of readers.
Michael dreams of seeing a whale. He has heard stories of times gone by when whales roamed freely around his little island, but now they have all been scared away by hunters. Every day, he works hard to save up for a boat of his own, in the hope he can one day take tours out into the waters and find some of the beautiful mammals. So when the opportunity to have his very own boat comes sooner than expected, he jumps at the chance, but remains suspicious that this might be too good to be true. Whale Boy reminded me of Saving Finnegan, which uses the issue of a washed up whale as a method of helping a young protagonist come to terms with loss. Here, Nicola Davies creates a scenario to highlight the evils of whale hunting, and challenging the reader to think about the impact of pollution and climate change on habitats and wildlife. The novel is beautifully written, full of poetic language and vivid descriptions of vast oceans and wonderful creatures. Michael's dream is uplifting and full of hope. But the story takes an unexpected turn as events unfold, swiftly turning into an action-packed thrill in which the lives of humans and animals are at stake. I couldn't quite work out the target audience for this book. It feels like it should sit somewhere between junior fiction and books for teenagers, but I imagine it would only really be selected by children who already have an interest in environmental issues and animal rights. And yet, as an adult reader, I loved the imagery and the message - perhaps it would work as a book for a family to share.
Stormclouds Brian Gallagher Dublin, O'Brien, 2013, 218p
I don't know a lot about the conflict in Ireland over the last fifty years, and am always surprised at the lack of teaching of this subject. Fortunately, we librarians can always count on engaging and fact-based fiction to teach teenagers a little about the things they don't learn in the classroom. In the 1960's, conflict between the loyalists and nationalists is rife. Emma and Dylan move to Belfast because their father, a journalist, has been sent there to report on current events. They are sociable and outgoing kids, so unsurprisingly make friends quickly. Emma meets Maeve at her running club, while Dylan meets Sammy at football. When the siblings bring their new friends together, they find that both have deep-seated suspicions about each other: Maeve is from a Catholic nationalist background, whereas Sammy is a Protestant unionist. With time, they begin to realise that they aren't that different after all; but the rest of Belfast are not so quick to change their views, and conflict breaks out across the city. Stormclouds has a clever moral message about prejudice and difference: the children put the adults to shame with their ability to see past religion and politics. The brash aggressiveness that leads to street warfare is distressing, especially when contrasted to the friends' open mindedness and love for one another. This is a brilliant, gripping book, teaching it's young audience about an important and ongoing political conflict.
